The rakan, the greatest disciples of Buddha   阿羅漢

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rakan-Otagi_nenbutsuji

Thousands of stone sculptures await you at Otagi Nenbutsu temple

Gohyaku-rakanji Sazaido. Print n°7 from the Thirty-six views of Mount Fuji series

Gohyaku-rakanji Sazaido. Print n°7 from the Thirty-six views of Mount Fuji series

 arhat-murakami-mori-museum

500 Arhats by Takashi Murakami

kitain_Gohyaku_Rakan

Kita-in Rakan in Kawagoe

A rakan with glasses.

A rakan with glasses.

Rakan in Japanese Zen Buddhism

The rakan, the enlightened disciples of Buddha, have been the subject of very popular devotion since the time of Edo. They occupy such a special place in Japanese Zen Buddhism that they have become traditional figures of Japanese art.

Guardians of Buddhist Law

Perhaps you have visited a Japanese temple without really knowing who the hundreds of stone men in front of you were? These traditional figures with expressive features are rakan, the greatest disciples of Buddha.

The rakan, also called arhat, are ascetics preserving and proclaiming the Buddhist law on earth between the death of Shakyamuni, the historical Buddha and the arrival of Maitraya, the Buddha of the future.

The term rakan means "the worthy", is the highest title given to disciples of Zen Buddhism. These disciples achieved enlightenment through their rigorous practice and personal hard work. In Zen Buddhism, it thought that enlightenment is achieved by an insight or long and rigorous work on oneself and a deep awareness. These faithful practitioners are considered the guardians of the Buddha's teachings and honored as role models in the spiritual quest.

Rakan under the red maple leaves

Rakan under the red maple leaves

A popular icon of feudal Japan

At the time of Kamakura (1185-1333), Japanese art was closely inspired by Chinese painting to create its traditional figure of rakan and therefore began this long iconographic tradition. Rakan become the favorite subject of Zen monks, the first Japanese artists to spread the Zen aesthetic. The imagery of the rakan is particularly significant in the temples of the Obaku school, one of the three main Japanese schools of Zen Buddhism, next to the Soto and Rinzai schools.

The rakan quickly became a popular image that the faithful could empathize with through the paintings and sculptures. Each of these enlightened individuals is represented with various expressions and positions. Their expressive features are the mark of their efforts in achieving enlightenment and the translation of the uniqueness of each individual.

Rakan from Otagi Nenbutsu temple in Arashiyama

Rakan from Otagi Nenbutsu temple in Arashiyama

The 500 rakan of Gohyaku Rakanji

Japanese artists usually present rakan in groups of 16, 18 and even 500! The most popular carved group of 500 rakan originates from Edo in 1695. These 500 sculptures created in the space of 10 years are the work of the monk-sculptor Shoun Genkei (1648-1710). He sculpted this set at the Gohyaku Rakan temple built in Edo (the old name of Tokyo).

He had the idea for this group of sculptures after seeing Chinese sculptures imported by the monks of the Obaku school to the Manpuku Temple south of Kyoto. Upon his return to the capital, he started work on the rakan sculptures and produced 536. It is said that Shoun Genkei would have been inspired by real people to execute his sculptures, all presenting different expressions.

Where to see rakan in Japan?

Here are the best temples to see examples of rakan.

Gohyaku Rakanji (Tokyo)

  • Address: 3 Chome-20-11 Shimomeguro, Meguro City, Tokyo 153-0064, Japan
  • Telephone: +81 3-3792-6751
  • Opening hours: Open daily.
  • Access: 12 min walk from Meguro station on the JR Yamanote line, the Meguro line, and the Namboku line; 8 minutes from Fudomae station on the Meguro line and the Namboku line.

Rakan-ji (Nakatsu)

  • Address: 1501 Honyabakeimachi Atoda, Nakatsu, Oita 871-0311, Japan
  • Telephone: +81 979-52-2538
  • Opening hours: 9:00 a.m - 5:00 p.m (8:30 a.m to 5:00 p.m in October and November). Open all year.
  • Access: Around 40 minutes by bus from JR Nakatsu station, then a 20-minute walk from the Nakajima bus stop.

Kita-in (Kawagoe)

  • Address: 1 Chome-20-1 Kosenbamachi, Kawagoe, Saitama 350-0036, Japan
  • Telephone: +81 49-222-0859
  • Opening hours: Open daily from 8 a.m to 4:30 p.m Closed at 4 p.m between late November and late February.
  • Entrance fee: ¥ 400 (US $ 3.71)
  • Access: 20 minutes on foot from Kawagoe-eki station (Tobu train Tojo line, JR line), 18 minutes on foot from Tobu Kagagoe-shi-eki station (Tojo line) or 15 minutes on foot from Hon- station kawagoe-eki (Seibu-shinjuku line). By car: about 20 minutes from the Kawagoe IC motorway interchange (Kanetsu motorway) or Kawajima IC (Shutoken-chuo-renraku motorway).

Otagi Nenbutsu-ji Temple (Kyoto)

  • Address: 2-5 Sagatoriimoto Fukatanicho, Ukyo-ku
  • Telephone: +81 (0) 758 651 231
  • Opening hour: Open from 8 a.m to 5 p.m (last entry at 4.45 p.m)
  • Entrance fee: ¥ 300 (US $2.79)
  • Access: Accessible from the Otagi Dera Mae bus stop (bus 62, 72, 92, 94).


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